Only after the first book of death … is that it was possible to consider ‘seriously’ about the gender.
Still putting more wood for the fire, to which each gender there can be a sub-genre, which appears and relates with other simultaneously, making each piece unique.
Which brings us therefore to clarify the basic concept: GENDER, which it should expect and where this is.
This way progressing to understand the wide and complex relationships between genres, sub-genres, but also with time the authors and their principles.
1. Bakhtin 1983, p. 3
2. a b c “Genres”, A Guide to the Study of Literature: A Companion Text for Core Studies 6, Landmarks of Literature, English Department, Brooklyn College (http://academic.brooklyn.cuny.edu/english/melani/cs6/genres.html)
. Bakhtin, Mikhail M. (1983). “Epic and Novel” (http://books.google.com/books? id=JKZztxqdIpgC&lpg=PR9&pg=PA3#v=onepage&q&f=false). In Holquist, Michael. The Dialogic Imagination: Four Essays. Austin: University of Texas Press. ISBN 0-292-71527-7.
. Derrida, Jacques; Ronell, Avital (Autumn 1980). “On Narrative: The Law of Genre” (http://www.mission17.org/documents/Derrida_LawOfGenre.pdf). Critical Inquiry (The University of Chicago Press) 7 (1): 55–81. doi:10.1086/448088 (http://dx.doi.org/10.1086%2F448088).
. Dorst, John D. (Oct–Dec 1983). “Neck-Riddle as a Dialogue off Genres: Applying Bakhtin’s Genre Theory”. Journal of American Folklore 96 (382): 413–433. JSTOR 540982 (https://www.jstor.org/stable/540982).
. Retrieved from “http://en.wikipedia.org/w/index.php?title=Literary_genre&oldid=634341719”